Finishing at Seven in the Morning
I remember standing in my studio three years ago, staring at a walnut sideboard that had cost me sixty hours of sanding, only to see a single, microscopic speck of…
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I remember standing in my studio three years ago, staring at a walnut sideboard that had cost me sixty hours of sanding, only to see a single, microscopic speck of…
Read moreI remember sitting on a stool in my first studio, surrounded by the suffocating scent of solvent, staring at a walnut tabletop that looked more like plastic than wood. I…
Read moreI remember sitting on the floor of my first studio, surrounded by the scent of sawdust and the heavy, metallic tang of a failed prototype. I was staring at a…
Read moreI was staring at a walnut tabletop last Tuesday, the kind of piece that should have been the centerpiece of a commission, but instead, it looked like a crime scene.…
Read moreI was staring at a pile of walnut shavings and dried wood glue yesterday, thinking about that ridiculous notion that a clean studio is a sign of a productive designer.…
Read moreThe smell of PVA glue is usually a sign of progress, but that specific, cloying scent hitting the back of my throat usually means I’ve just made a massive mistake.…
Read moreI was standing in the middle of my shop three years ago, staring at a pile of expensive walnut scraps and a spreading pool of PVA glue that had escaped…
Read moreI was standing in the middle of my studio last Tuesday, staring at a pile of walnut components that looked, on paper, absolutely perfect, yet felt fundamentally wrong. It’s that…
Read moreI was staring at a pile of expensive walnut stock, my hands shaking slightly, realizing I’d just cut the tenons on a drawer front that was now mathematically impossible to…
Read moreI can still smell the sawdust and the sharp, metallic tang of a miscut aluminum rail from a project back in ’04. I was staring at a series of expensive,…
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