Describing Your Work Without Overclaiming
I spent three hours last Tuesday staring at a blank screen, feeling that same hollow tightness in my chest I used to get when a client rejected a joinery detail.…
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I spent three hours last Tuesday staring at a blank screen, feeling that same hollow tightness in my chest I used to get when a client rejected a joinery detail.…
Read moreI spent three hours last Tuesday wrestling with a studio light that cost more than my first car, only to realize the shot looked utterly lifeless. It’s the great lie…
Read moreI was staring at a prototype of a walnut sideboard—a piece that had cost me three weeks of sleep—when the email came through. It wasn’t a critique of the joinery…
Read moreI remember sitting in my studio three years ago, staring at a beautifully drafted specification for a custom walnut sideboard. The client was polite, the budget was generous, and the…
Read moreI remember sitting in my studio three years ago, staring at a stack of rejected walnut chair prototypes that felt more like failures than lessons. I was obsessed with the…
Read moreI was staring at a pile of rejected walnut joinery in the corner of my studio—each piece tagged with a note about why it failed—when I realized that most “professional…
Read moreI remember sitting in my studio ten years ago, staring at a beautifully machined walnut joint that was, quite frankly, a disaster. I had spent three weeks perfecting the geometry,…
Read moreI remember standing in my studio ten years ago, staring at a pile of expensive walnut slabs I’d already paid for, waiting for a client who had promised “to be…
Read moreI was staring at a stack of rejected walnut joinery prototypes last Tuesday—the ones where the tenon was just a hair too proud—when it hit me how much we lie…
Read moreI was standing in my studio last Tuesday, staring at a prototype chair that had cost me three weeks of sleep and a significant amount of walnut, trying to figure…
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